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The efficient production of “Birds in the Moon” is supported by Meyer Sound loudspeakers delivered mixes via Spacemap Go. Photo Credit: Erin Baiano

Meyer Sound Spacemap Go Opens Up Unique Mobile Chamber Opera

"Birds in the Moon" debuts at the NY Philharmonic Bandwagon 2 Festival supported by mixes on an iPad equipped with Spacemap Go spatial sound/live mixing software.

A national tour of Birds in the Moon, a new chamber opera with music by composer Mark Grey, is utilizing Meyer Sound self-powered loudspeakers while the show is mixed on an iPad with the company’s Spacemap Go spatial sound design and live mixing software.

The entire production is housed in a 20-foot shipping container that can be quickly set up for outdoor performances at essentially any location. The “containerized” opera debuted at Domino Park in Brooklyn in early May as part of the New York Philharmonic’s free, city-wide Bandwagon 2 program.

Photo Credit: Erin Baiano

From the outset, Grey created Birds in the Moon with flexibility and portability in mind. The idea was to reach reasonably large, open-air audiences while still providing a dynamic and panoramic soundscape, and to do so with a streamlined system that supports both automated and live workflows. A sound designer as well as a composer, Grey turned to Spacemap Go as the foundational tool for implementing his ambitious aural concepts.

“It’s been amazing working with Spacemap Go over the past year, exploring all that it can do,” he says. “It has really outperformed my expectations, for example, in the way you can automate sonic trajectories over time, capture that scene, and then move on to the next. And recalling everything is simple, as Spacemap Go integrates effortlessly with other software programs.”

The loudspeaker system is comprised of two ULTRA-X40 mains and two 900-LFC low-frequency control elements mounted on the container/stage, plus eight UP-4slim loudspeakers on the extended wings. The entire front end is simple: two wireless microphones for the performers, four DPA 4099 microphones for the instruments via preamps, and a vintage stereo reverb unit all feeding directly into the analog inputs of a GALAXY 816, along with 24 channels for electronic soundscapes from the Mac Mini via an AVB network connection.

Photo Credit: Erin Baiano

“We’ve proven that you can set up a great system without a ton of outputs, and Spacemap Go is key because we can do it all without using a dedicated mixing console,” Grey continues. “Each scene in the show has a Spacemap Go Mix Snapshot with labelling, configuration, and Spacemaps assigned to the channels. We then perform the mix live on the iPad with Spacemap Go. When the Ringmaster is on top of the shipping container, we mix his position using a Spacemap that drives the X40s harder. When he comes down, we crossfade manually between two Spacemaps to bring the image down and achieve more gain before feedback by bringing up the UP4-slims and backing off the X40s with a slider.”

QLab running on a Mac Mini provides audio playback via Milan AVB directly into the GALAXY, and is the show controller that recalls Spacemap Go Mix Snapshots in the GALAXY 816 and lighting as well as video cues hosted on a second Mac Mini.

Grey adds that he has been astonished at the spatial effects he could achieve using Spacemap Go, despite having less than sixty feet of spread between the far end loudspeakers. “It’s not really surround in this case, but more like panoramic stereo, but with depth to it,” he explains. “When I put content through the ULTRA-X40 main speakers, to listen as a reference, it has good separation. But when I put it out into Spacemap, creating a trajectory across the open wings, it just opens up until it seems like it’s 50 feet wider than what it should be. It’s pretty amazing, when you come up with something conceptually and then translate it into the real world in a performance. That’s where Spacemap Go has definitely outdone itself.”

Photo Credit: Erin Baiano

This mobile venue has become the stage for the entire Bandwagon 2 series of four weekend-long festivals across New York City. The New York Philharmonic partnered with six organizations and more than 100 artists to present 39 performances, spanning artistic disciplines from reggae, jazz, and opera to dance, poetry, theater, film, and visual art.

“There are so many curveballs that happen with the Bandwagon festival,” says Grey. “With the various acts that come through, we have to be flexible to mix on the fly. Spacemap Go makes this all possible.”

After a successful New York run, Birds in the Moon will make its West Coast premiere September 1–4, presented by The Broad Stage. The four outdoor performances will take place at Lot 27 in Santa Monica, CA.

Birds in the Moon is produced by Cath Brittan and directed by Elkhanah Pulitzer, with libretto by Júlia Canosa i Serra. The Container Stage and set for Birds in the Moon were designed and built by Chad Owens with video design by Deborah O’Grady, lighting design by David Finn and costume design by Christine Crook. It is presented in partnership with Meyer Sound, with additional support from DPA microphones. Audio consultant for the New York performances was Garth MacAleavey, resident sound designer and director of production at National Sawdust.

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