Experidance Steps Up To Allen & Heath dLive
Hungarian dance group adds S5000 and S7000 control surfaces, with DM32 and DM48 MixRacks for national touring shows.
Hungarian dance group adds S5000 and S7000 control surfaces, with DM32 and DM48 MixRacks for national touring shows.
Front of house engineer Dave Bracey and monitor engineer Joe Campbell select SD7 digital consoles for arena tour.
For starters, it depends on the type of bass that the DI is going to be used with…
Design consultants touch thirty three select Dante-enabled DSP for new system at independent Jewish day school’s Caress Stadium.
EAG Productions owner Eduardo A. García chooses d:facto handheld microphones, d:dicate 2011 and 4011 cardioid microphones for live shows.
Gigant Sound Letus deploys 200 K Series and X Series amplifiers and Armonía Pro Audio Suite for 600 array enclosures and 2.5 million pilgrims.
Britannia Row Productions and front of house engineer Dan Lewis select K1 and K2 arrays with SB28 subs for latest world tour.
Available in both pink (HS2-P) and black (HS2-B), offering an omni-directional polar pattern and flexible silicone ear strips.
Mason Sound selects X2-212/120 arrays and X12-128 dual 18-inch subwoofers for eleven nights of main grandstand stage concerts.
BASSBOSS designs and installs systems for three newest locations, one in Austin and two in Houston, with DV8 powered MicroMain loudspeakers.
Raleigh, North Carolina-based band downsizes production rig with rack-mount digital mixer and Master Fader app
Sound Image monitor engineer Bill Szocska utilizes PM10 console for monitors on “I Don’t Know” 2016 tour.
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