Dolby Atmos-Certified Red Road Immersive In Australia Equipped With NUGEN Audio
Owner Angus Davidson employs suite of software that includes Paragon, VisLM, LM-Correct, Helo Upmix and more for film and music projects.
Owner Angus Davidson employs suite of software that includes Paragon, VisLM, LM-Correct, Helo Upmix and more for film and music projects.
Adds four ISO channels/record tracks to the 833, making it a 12-channel, 16-track unit; additional channels accept any input source and can be routed to the main mix bus, additional buses, and any output.
Retro Fi designed to produce authentic lofi textures, warm analog sounds, and nostalgic vibes, while LoFi Space provides two flavors of analog-based spring and plate reverb, and more.
Enables VENUE | S6L users to access functions of the spatial sound design and mixing tool from the console’s touchscreen and control surface; plugin for Pro Tools allows creation of projects incorporating Spacemap Go functions.
All new Scarlett (3rd Gen), Clarett+, Clarett USB and Red users now get tools from Antares, Softube, XLN Audio, Relab, Brainworx and more.
Includes the original SSL “O2” Brown EQ and the console’s saturated mic preamp and line inputs joined by new features.
UAD Software v9.15 release offers the AMS DMX Delay & Pitch Shifter and Manley Tube Preamp plugins.
Utilizes company’s patented Structural Split technology for corrective and creative rebalancing, enhancing, repairing, and widening any musical signal or other audio source.
Plugin offers nine total spaces with two live rooms, five iso booths, an EMT plate reverb and FAME’s newly-restored echo chamber, plus Modern and Vintage modes for each.
Designed to emulate the way that analog devices such as tape recorders and valve circuits warm up and “saturate” audio material by adding harmonics, dedicated filtering, and dynamic processing.
Inspired by the sound of tape delays of the 1960s and ‘70s and available in formats that include VST2, VST3, AAX and AU.
Upgrade offers new Spectral Phase Correction module designed to detect and dynamically correct frequency-dependent phase shifts to achieve improved spectral alignment and richer sound.
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