A “best practice” guide that will help quickly get a band on stage, perform a line check, rough in the monitor mixes, all in as short a timeframe as possible.
Live audio crews at their best are like efficient ninjas: they all wear black, you never know they were there, and when the job is perfectly executed, they disappear silently into the night.
“What can I do now, with the gear and people I have, to improve things for the team, the clients, and the bottom line?”
Techniques to add another dimension of creativity to mixes as well as to present a wider and deeper spatial soundscape.
The evolution of the live music industry is moving in a direction which has elevated the role of audio technician to a whole new status.
A look at a some recent digital consoles that deliver larger-format capability with the facilities to handle bigger, more complex events.
What is group delay? Is it the same for all frequencies like a digital delay effect? Or does it vary with frequency like phase shift? And what causes it?