Working with wireless RF, microphone placement, on-stage sound effects and a full orchestra at Hamilton College in Clinton, New York.
Master the basic “non-sound” skills and you’ll find you’re better able to enjoy the freedom and satisfaction that comes from being a freelancer.
We should always do whatever possible to work with event management to not let this happen, but the reality is that it does.
In your mixing workflow do you tend to use subgroups, VCAs, or both? How do you tend to organize them, and what advantages are afforded by that workflow?
Any time we’re filtering and then summing two coherent signals, we need to be aware of any potential lurking phase demons.
Methods of obtaining the impulse response of a loudspeaker, and the pluses/minuses of each approach.
Taking a look at L-Acoustics L-ISA Hyperreal Immersive sound reinforcement as it helps continue the legacy of rock and roll pioneers.
Techniques for building digital console show files to make often-used controls and functions accessible in three moves or less.
Understanding the strengths and weaknesses of each type of amplifier and selecting one that makes sense for the application.