ARX Systems Launches Updated USB DI-Q USB – Analog Interface
Outfitted with new front panel annotation to make it suitable for use in a wider range of applications, including corporate and education.
Outfitted with new front panel annotation to make it suitable for use in a wider range of applications, including corporate and education.
New mobile audio interfaces for connecting a variety of sources in applications such as podcasting and streaming.
Currently working a packed touring schedule in support of country artist Kane Brown with recently added MADIface XT interface and M-32 DA analog converter.
Integrates mic preamps, a two-channel loopback mixer, and processing in a design for streaming, podcasting, and music production applications.
GRAMMY-winning producer/engineer utilizing an array of Focusrite interfaces and a RedNet R1 controller in his immersive audio workflow.
Proprietary design that’s AES67-compliant also includes microphone/line and Hi-Z instrument pre-amplifiers.
Fireface UFX has been Latham’s main interface for nearly a decade and played a central role in Pandemic-inspired recording “Together.”
Designed to provide real-time response and status updates, process complex, high-loading events with customized GUI designs, and more.
Previously limited to a 32-channel count, users of MADIface USB, Digiface Dante and other interfaces can now use the full channel count.
Red 4Pre, Red 8Pre, and Red 16Line Thunderbolt and Pro Tools | HD compatible audio interfaces at the heart of collaborative group’s methodology for how audio for events can be mixed across long distances.
Receives audio from a phone, tablet, or other Bluetooth source and feeds it to full-range powered loudspeakers, and can also be hardwired to a powered subwoofer.
New 12,500-square-foot facility for The Record Co. (TRC) equipped with Red 16Line and RedNet interfaces, ISA mic preamps, and Scarlett Range interfaces for onsite recording in rehearsal studios.
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