Audio Engineering From A Musical Perspective
Learning to apply diligence and discipline to your engineering skills by understanding the mind and techniques of a musician.
Learning to apply diligence and discipline to your engineering skills by understanding the mind and techniques of a musician.
Successfully working with musicians who have the desire and passion but not necessarily the skillset.
The first question to ask: Do I really need overheads? Yet it’s not quite that simple…
Maybe death metal engineers can get away with the constant drone of metallic hash noise, but for everyone else, please continue to read on…
Veteran engineers and technicians share their approaches and techniques for capturing live drum sounds when time and/or resources are limited.
Ultimately, you cannot completely avoid phase cancellation, you can only make sure it sounds as good as possible.
The best-case scenario is a thoughtful drummer that’s aware of the overall sound of the band, but if you don’t have that, here are some other options…
Drum recording sessions can often be frustrating, especially due to the sheer amount of equipment involved. Allow for some flexibility and be prepared for the unexpected. Keeping a cool head serves everyone best in the long run.
Looking into a technique that can provide a whole new palette of tonal colors, especially when mixing in stereo.
Like the foundation of a house, the drums are the foundation of a recording. On a strong foundation, you can build almost anything you or your clients can imagine.
A few tricks for making those overhead microphones sound thicker and more natural.
Insights on miking and recording drums, with a wide range of successful methods and options
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