PreSonus Unveils New DigiMax DP88 Preamp/Converter
Eight digitally controlled XMAX Class A preamps employ true analog circuitry, with a separate digital volume control circuit.
Eight digitally controlled XMAX Class A preamps employ true analog circuitry, with a separate digital volume control circuit.
The new features include an LED frequency display, six BNC outputs, AES and RCA S/PDIF outputs and an optical S/PDIF output.
Leverages top-quality Burr-Brown converters and same Acoustically Focused Clocking (AFC) technology present in Antelope’s Trinity master clock
Clocking for playback for synchronization, lighting, MIDI, sound effects and vocals
Is there any specific way my word clock should be run throughout my studio?
The class provides complete audio system design and networking solutions and will focus on set up techniques ranging from microphones to large-scale loudspeakers
An update to the popular TASCAM CD-160 player
User-driven features and enhancements added
The MKH 8000 Series can now be digitalized directly at the microphone head with the new MZD 8000 digital module, which simply screws onto the microphone head in place of the XLR module
The mic preamps, the console, miscellaneous outboard digital effects, and the digital loudspeaker manager all received word clock from the Lucid GENx192s
All of the capabilities of the ULN-8 are built atop Metric Halo’s fifth-generation 2d Processing, mixing and FireWire interfacing platform
“We had a very strong past relationship with Lucid and are excited to rekindle that alliance.” – Jay Fitz, Mercenary Audio
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