Details his application of the company’s i5 and SCX25A microphones in his work as well as the use of numerous D6 dynamic mics in a surprising application.
Producer, engineer and composer who earned a TEC Award for his work on Green Day’s Grammy-winning “American Idiot” talks about his work with A231 and SCX25A mics.
New low-profile shotgun mic designed for a range of installed applications that’s stated to cover up to 150 square feet of area.
Variety of microphones deployed at his Rancho De La Luna studio in California include D6 on kick, i5 on snare and guitar amps, D2 and D4 on toms and more.
Seeking to develop the Audix brand worldwide with a primary focus on wireless applications in addition to opening its vertically integrated manufacturing facility in the U.S. to the rest of Vitec’s audio brands.
Veteran with a diverse live and studio resume going out with Foghat and Little Feat utilizing D6, i5, D4 and SCX25A microphones along with A150 headphones for post-show mixing.
Large-diaphragm condenser model designed to deliver clarity and character with vocals in the studio and on stage.
Evan McElhinney utilizing a TM2 integrated ear-stimulator (coupler) to help ensure consistent performance across the band’s sets of in-ear monitors, while the drummer’s kit is miked entirely with the company’s microphones.
Collection spans a wider range of mics and applications as well as marking the first time ProFactory presets have been available for SQ and Avantis mixers.
Both models designed with a dynamic, low-mass moving coil assembly and injection-molded shells that are internally textured and ported for added acoustic control and accuracy.
Incorporates a reference-grade, half-inch Type 1 metal capsule; specifically designed to capture acoustic instruments with transparency and accuracy.
Industry veteran working to help ensure that consultants and integrators have the tools and support needed for successful projects.
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