EVO by Audient Announces New EVO 16 Audio Interface
New 24-input/24-output unit offers eight of the brand’s preamps, advanced converter technology and a Smartgain feature that can be used on all eight channels simultaneously.
New 24-input/24-output unit offers eight of the brand’s preamps, advanced converter technology and a Smartgain feature that can be used on all eight channels simultaneously.
Titan multichannel audio interface being utilizing on numerous projects delivers increased channel count with commensurate sound quality.
Revelator dynamic USB microphone offers presets for customizing sound, while Revelator io44 interface can serve as the hub of a mobile recording studio as well as the core of a streaming rig.
Designed for use with Avid Pro Tools | Carbon audio interface, bus-powered adapter provides computers with an AVB-compliant Gigabit Ethernet connection.
Red 8Pre and RedNet R1 interfaces play key role in upgrade of engineer’s LA studio with a 7.1.4 immersive mix system.
Company’s smallest and lightest interface to date connects via USB-C directly to Apple and Android mobile devices as well as to desktop and laptop computers.
Offers independent dual-channel functionality and doubles as a DI to accommodate signal levels for electric guitar, bass, and other unbalanced guitar level sources.
Enables the capture of quality audio directly into the camera; available in configurations for Canon, FUJIFILM Kit and Nikon cameras.
For Mac, PC, iPad, and iPhone, designed to provide studio sound with Vintage Mic Preamp mode, 76 Compressor, and included audio software.
New series comprised of three models builds on the strengths of the previous ranges but with improved converters, enhanced microphone preamps, and more.
Brings Dante AoIP, 64-bit clocking technology and Synergy Core real-time effects processing to a 1RU chassis combining 32 channels of analog line level I/O with digital connectivity.
Titan audio interface implemented to help record “release-quality” vocals when he can’t access a commercial facility.
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