Wired In: Common Sense Cabling Practices For The Live Stage
This is the way I was taught years ago, and the basic method is largely the same on every stage right up to the top level…
This is the way I was taught years ago, and the basic method is largely the same on every stage right up to the top level…
It’s sometimes difficult to record the audience in a way that captures its true sound – here are some techniques and considerations that can help…
Just because we’re able to add a microphone (or two) to every source on stage, does it mean we should?
Analyzing when, where and why a system may – or may not – be necessary, and in fact, do more harm than good…
Regardless of the size of the console – or if it’s analog or digital – sometimes we have to be a little “creative” to get the desired results. Here are some things I do.
It’s a way to couple my passion for music with my love of science and technology. I like to think of live sound as “elegant precision.”
Upsides, downsides and advice when working facilities ranging from tiny clubs to enormous stadiums – perhaps on the same tour…
Taking time to appreciate where you are and taking advantage of the situation as much as you can.
As with just about any other profession, some people have more natural ability or aptitude than others, but it usually takes everyone years of training, researching and learning to become successful.
Acoustics
Amplification
Audio Networking/IT
Business
Cabling & Interconnect
Church Sound
Dynamic Processing
Electrical Power
Equalization
History & Heritage
Key Audio Principles
Live Recording
Loudspeakers
Microphones
Mixing Consoles
Popular Authors
Production
Profiles
Software Tools & Apps
Sound System Design
Stage Monitoring
Stagecraft & Best Practices
Studio Recording
Subwoofers
System Test & Measurement
Wireless/RF
Copyright 2024 ProSoundWeb · EH Media LLC. All rights reserved.