Finding The Sweet Spot: Getting The Desired Vocal Sound In IEM Mixes
The goal is to protect the artist’s hearing while giving them a “balanced, clear mix.” Louder isn’t better.
The goal is to protect the artist’s hearing while giving them a “balanced, clear mix.” Louder isn’t better.
Considerations and techniques to help create a smooth onstage balance and best serve the artist when blending the two elements. (An audio version of this article is also available for download.)
A primer on the path to success in working with the stage side of the equation, whether it’s at smaller gigs or touring with larger acts.
Delving into this sometimes divisive topic, presenting positives for both sides along with a workaround.
Building a career on the monitor side of the equation, the upsides and downsides, some rules to live by, and more. (A downloadable audio version of this article is also available.)
Someone put an in-ear mixer in front of you or handed you an iPad to make your own monitor changes, but what exactly is it that you’re needing to do?
Getting stage monitors set up right (or wrong) can have an inordinately large impact on the outcome of the show. Here are some approaches that can help.
Any time we’re filtering and then summing two coherent signals, we need to be aware of any potential lurking phase demons.
An audiologist addresses numerous inaccuracies of the portrayal of hearing loss, its causes, treatment, and rehabilitation in the Academy Award-nominated film.
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