Unplugging From AC, Part 7: Examples From The Road Of Lithium/Solar-Powered Production
Experiments in the field using a portable power station plus some portable loudspeakers with their own Lithium batteries.
November 11, 2022
Experiments in the field using a portable power station plus some portable loudspeakers with their own Lithium batteries.
In part 1 of a two-part series, the author clarifies and explains key aspects of timecode and how they relate to professional audio applications.
There are many ways to make a system sound better, and frequency response matching can be one of the tools in your tool bag, but as is almost always the case, the devil is in the details.
On analog consoles and processors, and ways that mixing and the workflow has changed in the digital age.
Baffles, bass reflex, optimal venting, horn design, flare rates, directivity and other key aspects.
Since the Basilica began broadcasting Mass in 2002, it has undergone several technological upgrades, but none as comprehensive as the most recent effort.
A logical use of audio filters is to attempt to “match” the frequency response of a microphone, loudspeaker, amplifier, or room to that of another. Can this really work? Let’s look at when it can, and when it can’t.
When it comes down to it, we don’t always get enough time to do everything we want, but here’s an approach to getting as much done as possible. (An audio version of this article is available for download.)
Driving a relatively powerful compact system (and a lighting rig) at full throttle over the course of four hours with a single portable power station. How did it go?
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