High frequencies have shorter time periods while low frequencies have longer time periods, but this familiar reciprocal relationship feels less intuitive when applied to the time and frequency domains.
Running sound systems (and more) at ongoing events using solar power stations and accompanying accessories. (An audio version of this article is also available for download.)
A younger tech provides a personal review of his process for measuring a system at a recent event and reflects on the process as well improvements for the next time.
An overview of uses of audio interfaces within live sound workflows and some important characteristics of products well suited to them. (An audio version of this article is also available for download.)
The crew explains the audio strategy being deployed for a concert style that is in turns dramatically stark yet heavily textured in dense layers of musicality and techno-exploration.
Testing a hypothesis that a good result could be attained by using all-pass filters to align the show’s low-frequency energy by placing them on the mains and sub.
The author tests his hypothesis that a band can easily run from battery (and possibly solar) power for hours and offers three possibilities/directions.
A journey through the development of audio filtering starting with the staples of the analog world through the filters in modern DSP that mine their predecessors but can also go beyond.
Additional lessons from a series of outdoor chamber music concerts, this time working at a not-so-normal site requiring creative microphone approaches, loudspeaker placement on the fly, and more.
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