Microfiles: The Stromberg-Carlson MD-56CS, A Mic By Many Other Names…
A dynamic-type design public address and general purpose microphone dating back to the late 1940s.
A dynamic-type design public address and general purpose microphone dating back to the late 1940s.
Running sound systems (and more) at ongoing events using solar power stations and accompanying accessories. (An audio version of this article is also available for download.)
The automatic assumption that every problem on an RF channel, be it mic or IEM or intercom, requires a frequency change to resolve it is very outdated and often not helpful. (An audio version of this article is also available for download.)
An overview of uses of audio interfaces within live sound workflows and some important characteristics of products well suited to them. (An audio version of this article is also available for download.)
Challenging the long-standing warnings that claim electromagnetic (EM) radiation from AC power cables will couple into audio signal wires to create hum.
It comes down to making decisions about how you will approach your craft of live sound, and it should be different depending on the various types of music and audiences. What do you want them to hear?
The value of thinking about – and looking at – the mix in a graphical way. Anything that can help us visualize sonic concepts can enable us to better understand the nature of the mix and produce consistently high-quality results.
With modern sophisticated loudspeakers and digital electronics, it has become apparent that simply changing the sound system may still leave plenty of room for improvement.
Great mixes are a combination of loud and quiet, bright and dark as well as instruments that are percussive and others that sustain – compression can help bring excitement and contrast to these dynamics.
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