Ask Jonah: Words To Live By When Approaching That First Show
Preparing for the pre-show chaos by developing a logical game plan and workflow.
February 5, 2019
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Preparing for the pre-show chaos by developing a logical game plan and workflow.
Going deeper with the passive versus active DI (direct input box) conundrum, summing, and the use of tube and FET models.
Ignoring the bounds of reality and R&D budgets, an engineer defines his ideal mix tool.
Four houses of worship equipped with a range of models to upgrade sonic quality and/or solve problems, including 4018 goosenecks, 4011 cardioid condensers, wireless d:facto vocal capsules and more.
Addressing common confusion about compression – in the context of live sound – as processing that’s used to reduce the dynamic range of the signal.
Just because we’re able to add a microphone (or two) to every source on stage, does it mean we should?
Veteran engineers and technicians share their approaches and techniques for capturing live drum sounds when time and/or resources are limited.
Whether it’s tonal balance as a whole or acute details in specific frequency ranges, experienced engineers are always listening for something.
Tommy Fleming, musical director for Carnival Cruise Line, shares his experiences in both capacities, and how knowledge of each discipline informs the other.
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