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Meyer Sound Spacemap Go Plays A Big Role At MUTEK 2020 In Montreal

New adaptable spatial sound tool helped in creating immersive audio experiences at both of the festival’s venues.
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Artist Bleue (Patrick Watson) performing at the MUTEK festival, where Meyer Sound components and the new Spacemap Goo Go were deployed. Photographer: Bruno Destombes

The organizers of the recent 21st edition of the annual MUTEK electronic music and arts festival in Montréal navigated a pathway between virtual and live performances at the two venues hosting in-person/live-streamed performances, employing a hybrid model that depended on Meyer Sound products and Spacemap Go for iPad, the company’s new spatial sound design and mixing tool.

According to MUTEK sound designer Jonathan LaFontaine of One Wave, the festival’s approach had to adapt to the evolving restrictions on live performances. Once the Society for Arts and Technology (SAT) and Cinquième Salle at Place des Arts were confirmed as the two venues, One Wave worked closely with GerrAudio Distribution and Meyer Sound to put together an effective approach.

Artist: Alicia Hush & Elysha Poirier / Photographer: Myriam Ménard

At Place des Arts, the system consisted of eight Meyer Sound LINA line array loudspeakers per side, two ULTRA-X40 front fills and six 900-LFC low-frequency control elements flown in a straight line at roughly the same level as the LINA boxes. LINA, the smallest and lightest member of the LEO Family, helped addressed specific challenges in Cinquième Salle, according to Gaetan Bouffard, the venue’s head of audio. “Normally we do theatre, dance and opera and we have a Meyer PA system we can adapt to fit those applications,” he explains, “but for electronic music you have to have a system powerful enough to deliver more SPL. The LINA line array was the perfect fit. It’s compact and light enough to hang without overloading the weight capacity of the hall, and the coverage is amazing.”

The SAT venue also presented challenges. First, the 50-person audience was seated low to the ground in beanbag chairs. “We needed a system that had a lot of punch in the low end, but we didn’t want to block the video on the 360-degree projection dome,” says LaFontaine, “so we ground-stacked one 900-LFC sub with four LEOPARDs on top per side, plus three more 900-LFCs for additional low-end reinforcement. We also had eight ULTRA-X40 point source loudspeakers spread around the room for surrounds.”

Artist: CMD / VJ: Melesul3 / Photographer: Bruno Destombes

Meyer Sound MAPP 3D, the company’s new prediction software, was used in both venues, which aided in delivering precise, high-resolution audio for these challenging applications. But it was the deployment of Meyer Sound’s new Spacemap Go — a spatial sound design and mixing tool that leverages the company’s GALAXY Network Platform — that took a big role in SAT. Spacemap Go is designed to provide smaller venues, normally mounting less sophisticated productions, with an adaptable tool to create a highly immersive experience at low cost. MUTEK deployed a late pre-release version of Spacemap Go.

“The way the software works is you basically draw a map on an iPad — you can use the existing loudspeaker layout or not — to direct where and how you want the sound to move around. There’s really no limit to what you can do,” LaFontaine explains.

Artist: Guillaume Coutu-Dumont / VJ : Diagraf / Photographer: Myriam Ménard

Given that none of the engineers would have experience with the tool, a few pre-programmed Spacemaps were provided, though users were encouraged to come up with their own. Mathieu Parisien, long-time front of house mixer for Patrick Watson, notes, “We didn’t have a lot of time to set up and I have to say I wasn’t sure about it. This was the first show we’ve done with new music that wasn’t played in front of people before, but I was able to make Spacemap Go work pretty rapidly.”

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In addition to the pre-programmed patterns, Parisien also drew one of his own. “I was impressed and surprised with how easy it was,” he says. “These kinds of things can sometimes sound gimmicky. It’s like when you mix an album; if you process everything too much it doesn’t feel right. But Spacemap Go did the opposite, actually, so I was amazed and really enjoyed using it.”

Artist: Pelada / Photographer: Bruno Destombes

Overall, the systems proved a match for the unique demands of the festival, says LaFontaine. “Meyer Sound is a good fit for electronic music due to the linearity of the system, especially the subs,” he notes. “People tend to forget that sub frequencies aren’t only a frequency range, they’re also musical notes. Some products are what I call ‘one-note’ subs. They’re efficient at reproducing the frequency at which they’re ported, which means that that one note will come out louder. And that is anything but musical. Meyer Sound loudspeakers reproduce all notes evenly, without distortion, and can go very loud if you want them to.”

Meyer Sound’s Spacemap Go public rountable discussions will continue November 18 and December 2. Throughout each discussion, Meyer Sound panelists will be available for Q&A. Register for the 9 am U.S. Pacific time sessions here and the 5 pm U.S. Pacific time sessions here.

Artist: Bleue (Patrick Watson) / Photographer: Bruno Destombes

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