Michael Bublé’s ongoing “Higher Tour,” replete with a four-tier stage set to accommodate a full orchestra and backup singers (augmented on occasion by strings and a 10-piece choir) plus extensive lighting effects and four large-scale video screens, is once again being supported by a “dual hybrid” Meyer Sound reinforcement system approach.
The system comprises both main stage arrays plus center-hung arrays, which function as an over-specified delay system when Bublé is on the main stage and as an in-the-round system when he occupies the B-stage. This time, however, the tour has slimmed down its audio footprint by replacing most former LEO Family and all M Series systems with 76 new PANTHER large-format linear line array loudspeakers.
“We are thrilled with the new PANTHER systems, not just sonically – we expect the best from Meyer in that regard – but also because these are much lighter and smaller boxes,” says Craig Finley, the tour’s production manager. “No two‑ton motors out here! And PANTHER packs very efficiently. We are essentially carrying two systems yet it all fits in one truck. And the power requirements are lower as well.”
Bublé’s long-time front of house engineer, Craig Doubet, notes that the advantages extend to load-in/out time. “PANTHER goes up and down very fast,” he says. “We have 13 arrays in the air, and we now can get them all down and ready to roll out in 75 minutes.”
The logistical benefits from a slimmed-down system have not come with a performance penalty, but rather the opposite, claims Doubet: “It’s a different box to mix on, and it took a while to get my ears around it. But in the end, it’s right up my alley. It’s very detailed, and the dynamics are almost effortless. Michael wanted a louder show, with more of a party atmosphere, and these speakers definitely do it. We are all pleased by the vocal sound, which is just amazing. It sounds just like Michael everywhere.”
The main stage system is anchored by twin front arrays each with 14 PANTHER loudspeakers over four LEOPARD loudspeakers. The two side arrays each comprise 14 LYON loudspeakers while the front fills are eight ULTRA-X40 loudspeakers. Low-frequency power comes from dual flown arrays of six each 1100-LFC low-frequency control elements supplemented by four 900-LFC compact low-frequency control elements on the floor.
The 48 PANTHER loudspeakers over the B-stage are flown as one array of 16 plus four arrays of eight each, with two LEOPARD loudspeakers under the long array and six each under the shorter arrays. Here, a total of 14 900-LFC elements, flown and ground stacked, drive the deep bass, and eight ULTRA-X40 loudspeakers contribute front fill. Elsewhere, 16 MJF-210 stage monitors provide foldback while a pair of Amie studio monitors paired with an Amie-Sub reside at FOH. Continuing a long-standing relationship, Solotech was again selected as the provider of the Meyer Sound systems as well as all other audio and video production elements.
As on his prior “Evening with…” tour, Bublé takes a singing stroll to the B‑stage, with his voice in space tracked along the way using Meyer Sound’s Spacemap Go spatial sound design and mixing tool. “This time, having the same PANTHER systems at both the main stage and the B-stage keeps the sound of Michael’s voice uniform in tonality as he gradually moves between the stages,” says Doubet. “It also makes it easier to match the arrays when tuning the system.”
Rounding out the key audio crew for the tour are systems engineer Fred Cantin and monitor engineers Martin Paré and Renato Petruzziello.
The “Higher Tour” opened on August 8, with 38 shows scheduled in North America. It continues with 34 more shows in Oceania, South America, Europe, and the United Kingdom, with shows scheduled through May 17, 2023.
