When Andrew Lloyd Webber and Tim Rice’s enduringly popular musical Joseph and the Amazing Technicolor Dreamcoat embarked on its 2014 U.S. tour on March 4, Masque Sound supported Co-Sound Designers David Patridge and John Shivers in their quest to bring this new, contemporary production of the 1968 hit to the stage.
Since Joseph and the Amazing Technicolor Dreamcoat is scheduled to tour through spring of 2015, Patridge and Shivers wanted to make sure that in designing the sound system it would be capable of easily moving and fitting into a small footprint on the truck.
“We wanted to provide the best audio experience that we could, in working within the confines of a traveling production’s space limitations,” says Patridge. “In order to maximize the power and efficiency for the system, and get the most ‘bang for the buck,’ we once again showed no hesitance in turning to Masque Sound.”
With space at a premium, the designers opted to utilize the smaller-footprint Yamaha CL5 mixing console, along with a Yamaha CL3 for monitoring, both of which worked quite well for the show.
The Yamaha console was ideal for the production not only for its compactness, as it could be picked up and lifted into position by two people, but also because its comprehensive feature set addressed all of the production crew’s needs. In addition, connecting the console together is a fairly straightforward process and can be done with Cat 5 cabling, which is ideal on a show that needs to move quickly and efficiently.
For the PA, Masque Sound provided an L-Acoustics dV-DOSC array integrated into existing speaker towers from Masque Sound’s inventory. The system is flexible enough to accommodate various venues of different sizes that will host the touring production.
“Fortunately Masque Sound has a very deep shelf of available gear, and we were able to put together an excellent audio package with its equipment that stayed within our budget and did not compromise on the quality of the sound at all,” adds Patridge. “In addition, Masque Sound’s modification of existing inventory speaker towers to fit with the L-Acoustics PA was a large cost savings to us.
“Masque Sound is always great about trying to repurpose available structural items. The talented crew in the metal shop is able to piece together these sorts of things relatively easy, which is a huge benefit and just one of many reasons we like working with them.”
Masque Sound also provided requency coordination services for the tour. The wireless package consisted of Sennheiser SK5012 wireless mini bodypack transmitters and Sennheiser EM1046 receivers.
“Masque Sound’s RF department is top notch at keeping equipment range tested and ready to go,” concludes Patridge. “Masque Sound is wonderful at listening to us and providing us with the equipment and services we need to be successful, and once again did a great job.”
