CITYPARK, the new home of St. Louis CITY SC, the city’s Major League Soccer franchise, was designed with maximizing crowd noise in mind, with each of its two tiers within 120 feet of the pitch to create a clamorous bowl that seats a total of 22,500, equipped with a sound reinforcement system utilizing L-Acoustics A15i loudspeakers and supporting components.
Officially opened last November, the new $457 million venue also has a 3,000-plus safe-standing supporter section where the most ardent fans will generate even more noise. Furthermore, the venue’s roof structure, designed to pay homage to the city’s trademark Gateway Arch, is made from perforated aluminum, contoured to keep the noise inside the stadium while amplifying it in the bowl.
However, that roof also presented a challenge for hanging the venue’s PA system, which had to thread many needles imposed by the architectural design. Coupled with that was a unique and precise mounting process developed by the project’s rigging specialist, Cignal, the installation division of integrator Logic Systems, which worked closely with TSI , an integrator the venue owner brought on to the project.
“This was an incredible challenge,” says Chip Self, owner of Logic Systems, who also sold the venue a DiGiCo SD12 as its front of house console. “There’s a soffit underside of the roof, which is quarter-inch-thick aluminum and powder-coated, and the steel we had to hang from was almost three feet above that. Usually, we’d hang off the steel, and that would be that. But here, we had to create our own rigging infrastructure that would attach to the venue’s superstructure, then drop the five-eighth-inch speaker support rods down through three-quarter-inch holes in the perforated roof with extreme precision. And those rods could not touch any part of the roof, including the sides of the holes. We had to create a web of diagonal bracing cables to keep this new rigging infrastructure from moving. We had never faced anything like this before.”
Self adds that the A15i loudspeakers helped make unique sound system approach possible: “In addition to all of the structural hoops we had to jump through to fly the PA, we also had to be conscious of the aesthetic for the venue—they didn’t want to see any hardware, cables, et cetera below the roof. The A15i is light enough and powerful enough to let us put over 100 of them, along with more than 50 KS21i subs, in just the right places without overstraining the rigging solution. And the A15i also has more than two dozen possible mounting-attachment locations on the boxes, so we could invert them and hang them in any angle, attitude, or configuration and still get the performance we needed from each speaker.
“In some cases, we deployed the system to hang as a line array and in others as a point-source system. No matter how we positioned them, though, they sounded exactly the same, and very few speakers in the world can do that. Moreover, the A15i’s waveguide options let us position them close to other parts of the structure but direct the sound away from hard surfaces, which let us achieve a high level of intelligibility.”
Cignal has already applied versions of this system-rigging design developed for CITYPARK Stadium on other projects, including SLU’s Chaifetz basketball arena and the University of South Carolina’s Williams-Brice football stadium, with plans to use the design for an upcoming project at Baylor University in Waco, Texas.
“CITYPARK’s sound system design revolved around the need for not only premium performance but also high value, and the A15i system hit that sweet spot head-on,” says Brennan Wilkins, Senior Associate at ME Engineers, the acoustics design and systems consultant to the project’s undertaking.
He points out that A15i offered the output needed to make the bowl a loud environment, one that worked in synergy with the architectural roof design. “The A15i doesn’t so much compete with the crowd noise as keep up with it, which is what you want the PA system to do,” he says. “And because it’s L-Acoustics, it does so with musicality and excellent tonality, all within the allocated budget.
“Wherever you are in the venue, the sound will be there, too. There’s not a bad seat in the entire house. This system is a real winner.”
