iZotope has announced the release of Stutter Edit, its first collaboration with GRAMMY nominated composer and electronic musician Brian Transeau (BT).
Stutter Edit’s features revolve around live sampling engine that lets producers, laptop performers and other musicians manipulate audio in real-time.
Stutter Edit slices audio into small fragments and sequences the pieces into razor-sharp rhythmic effects, recreating techniques that once took hours to perfect in the studio.
Results can range from jarring to subtle: a melody can be disintegrated into a syncopated rhythmic roll, or a drum hit can be transformed into an arpeggiated scale of pitches.
The set of tools in Stutter Edit is balanced by a MIDI control scheme.
In addition to these stutter effects, performers and producers can juggle multiple rhythmic effects including gate, pan, digital distortion, delays and filters.
The Generator module creates custom noise sweeps that can be triggered along with stutter effects to build tension and create dynamics, both in live performances and studio arrangements.
“Stutter Edit exists because I wanted to step on stage with a laptop and improvise the complex and musical rhythmic effects that sometimes took me days of trial and error to create,” explains BT.
“I’m elated to partner with iZotope and unveil Stutter Edit to the world, and I can’t wait to see what other producers, composers and sound designers will do with this insane new effect.”
“I truly believe this will dramatically change the topography and scope of what is possible with live sound design and remixing.”
On the stage, Stutter Edit makes it possible for laptop performers to create improvised remixes that include incredible stutters, fills and build-ups.
Stutter Edit’s MIDI-controlled workflow is a perfect complement to performers using Ableton Live for DJ sets.
In the studio, musicians can utilize Stutter Edit to add color and transitions to recordings, making arranging with effects all about intuition instead of trial and error.
