Live Sound

Supported By
ProSoundWeb
Mumbai-based engineer Supratik Das handles FOH and monitor duties from a single Allen & Heath console.

Indie Rockers Parvaaz Back In Action With Allen & Heath On The Full Circle Tour

Mix engineer Supratik Das employs dLive C3500 and C1500 surfaces with a CDM48 MixRack as well as an Avantis with a GX4816 expander in handling both front of house and monitors for group's recent tour of India.

Bangalore. India-based four-piece indie rock band Parvaaz recently returned from an involuntary 17-month hiatus due to Covid with the multi-city Full Circle tour, the first tour of its kind in India since the pandemic began, supported by mix engineer Supratik Das utilizing a variety of Allen & Heath consoles and supporting components in handling both front of house and monitor duties.

Das has worked with Parvaaz for the past four years, and when the call came for the tour he already had a mixer – or three – in mind, and with the help of Sun Infonet, Allen & Heath’s distributor in India, he was able to attain his goal. “Depending on the venue, I used a dLive C3500 or C1500 Surface with a CDM48 MixRack, or an Avantis with a GX4816 expander,” he explains. “While I was slightly more familiar with the dLive than the Avantis, it took me no time to get familiar with the Avantis as well.

“I decided to use Allen & Heath consoles after a hands-on experience a few months ago for a virtual gig in Mumbai. Rohit Reddy [senior product manager at Sun Infonet] was there to guide me through the boards and I found it very interesting how much these desks can do. It was the perfect choice for me keeping in mind the requirements and baggage restrictions. The fact that the console and the stage rack can both fit in the boot of my car is a huge plus.”

With dLive firmware V1.9 released the month before the tour began, Das was able to utilize some of the new tools it provides on the tour. “Some of the features that I feel gave me an edge are the new RTA features, the two source expanders and all the DEEP compressor emulations,” he says. “They make me feel like I’m sitting in a studio with a whole suite of plugins, but with no latency issues. I also really liked the new NEQ12 [12-band parametric EQ] to really deep-dive into the PA EQ because I am not, personally, a fan of using a graphic on the PA. Another great tool is the Dyn8 processor with its four bands of multiband and four bands of dynamic EQ., this is one of my favorite features.”

The customizable workflow options on both desks were welcome in meeting his preference of working quickly and keeping things moving. “A common feature that I like across dLive and Avantis is the ability to use SoftKeys,” he notes. “I’m a guy who’s always figuring out the shortest and easiest way to do things. I have maxed out all the SoftKeys on both the Avantis and dLive and it has made my workflow a lot faster, and the large touch screens on the Avantis are perfect for quick navigation.

“All in all it was great to have the support from the team at Sun Infonet throughout the tour, I definitely had a fantastic experience. I can’t wait to use these mixers for even larger shows and bigger stages.”

Allen & Heath

Live Sound Top Stories