In Profile: TC Furlong, Always Seeking A Better Way

By the late 1970s, however, he abandoned building proprietary gear in favor of offering other manufacturer’s products to clients. Still, he was able to run the business from his property when not touring with the band, which had a major hit in 1983 with “The Curly Shuffle.”

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While the band’s international notoriety was relatively short lived, they remain active to this day and Furlong is still in demand as a live and session player.

That said, in 1990 he cut down on touring to start a family with his wife, children’s author Mary Gauthier Furlong. “She’s a musician as well – a wonderful bass player and singer,” Furlong adds, “and we actually met when were hired for the same band.”

He characterizes the company’s growth since as natural and organic. “Our client list has grown 100 percent by referral. We’ll do a live rental for somebody, then become their go to sound person. Then they’ll say, ‘Can you help us find a solution for this?’ and we’ll say, ‘Yes, we’ll do our best’ and grow to meet their needs.”

Expansion of services was often a result of consciously expanding into areas underserved by others. “Theatre, corporate theatre, wireless microphones, loudspeaker alignment; those things weren’t available in our region,” he notes. “In 1989 we started getting into wireless microphones in a big way, made a sizable investment and tried to become as expert in that as we could.”

“Before I arrived,” adds general manager Jeff Cech, “the company was known for expertise in wireless microphones, and renting wireless systems and intercoms was and is a major part of our business, but earlier no one was doing it.”

A youthful TC Furlong with a Steamer Sound cabinet. (click to enlarge)


Growth was further fueled by Furlong’s ability to identify other emerging areas of business and apply the company’s expertise to creating better solutions for those markets specifically.

“When corporations started to embrace audio as part of their presentations, we were right there trying to do more elaborate designs than what a lot of A/V companies were doing,” Furlong says. “After we got into wireless microphones and corporate A/V we noticed there was an unfilled opportunity in Chicago for theatrical sound. We continue to do a lot of it, but all of these things naturally evolved out of each other.”

The company also began designing and commissioning systems, but the concentration continues to be on special events and maintaining long term, mutually beneficial partnerships. “We have clients who’ve been with us for 20 to 30 years, and we’ve built those relationships, slowly and carefully, by putting our efforts, not only into marketing to potential clients but into keeping the clients we have by providing a very high level of service.”

One of the milestones of the late 1990s was the development of a relationship with Meyer Sound that continues going strong to this day. While the company carries a wide range of other loudspeaker systems, Meyer is the primary brand.