DPA Microphones Capture Classical Pianist Helena Basilova
Producer Brendon Heinst utilizes 5006A surround kit with five factory-matched 4006A microphones to record “A Fearful Fairy Tale” on the TRPTK label.
January 14, 2020
Producer Brendon Heinst utilizes 5006A surround kit with five factory-matched 4006A microphones to record “A Fearful Fairy Tale” on the TRPTK label.
The ATC 7.1.4 Dolby Atmos Music system at NAMM will also use a new, in-development product from Latch Lake Music, a free-standing, high loudspeaker stand to support the eight to nine foot “height” loudspeakers.
Monitors play a role in 16-track studio where Klosterman handles a range of projects as well as product reviews.
Recent event in Los Angeles features a discussion with leading engineers, mixers and producers working in 5.1-surround and Dolby Atmos formats.
New Duality Delta 48, replacing a 4000G, resides in studio’s room four, while Delta 72, the first to be deployed at the facility, is ensconced in room six
“LEWITT has designed and built a really versatile addition to microphone technology.” — Chuck Ainlay, METAlliance
New PMC MB2 XBD-Passive monitors in his Pinewood Studio support work with film scores and game music.
Recently-opened collaboration between producers Brian Deck and Jim Giffordnew equipped with 16-channel 5088 console loaded with Shelford 5052 mic preamp / inductor EQs.
The Scarlett 2i2 interface helps noted athlete, author and self-help entrepreneur produce a successful podcast with simplicity.
Professor & chief recording engineer Scott Wynne chooses myMix personal monitor systems to better prepare students for real-world professional studio environments.