We work with sound. We work with music. We work with feelings. We must arrive in the musical moment.
Place it where the instrument sounds best, not where the mic looks best
Getting all the parts assembled correctly in the pursuit of great music…
Explaining how this wonderful tool actually works… if used wisely and properly…
Some sage counsel from a pianist leads to a whole new approach in miking the instrument…
Upsides and downsides to both methods, as well as context of when to select one or the other…
Sometimes assumptions regarding traditional instrument roles can limit your ability to emphasize what should be strong in a song…
Working to build the “sonic illusions” that help take a song to the next level…
A significant impact on how the music was made…
