Shure UHF-R Wireless In Support Of “Thriller Live” At London’s Lyric Theatre
The crowded nature of the area made isolating RF for on-stage instruments and vocal artists very difficult.
The crowded nature of the area made isolating RF for on-stage instruments and vocal artists very difficult.
The challenge was to turn this classic tune into a modern piece that captures the attention of both old and new audiences
Though it’s a permanent install, it’s designed, even aesthetically, like a touring rig
“The Osbournes were all wearing Sennheiser SK 5212 wireless transmitters and Platinum lav mics, but most of the time they were on SKM 5200 handhelds.” – Production Mixer Evan Adelman
“The frequency and dynamic response are phenomenal, and we had zero RF problems, no dropouts, and no ‘fizzie’ intermod noises.” – Jeremy J. Lee, sound designer
“Our boutique operation allows us to respond much more quickly to the changes in the evolving market place of digital downloads and can produce more effectively than many of the major record labels out there today.” – Odds On Records & Studios Label President Ted Joseph
“Everything functioned flawlessly. Our input lists were all Shure from snare mics to vocals. We had a number of options available for each act, which worked out nicely for our performers, who all were longtime Shure users for the most part.” – Sound Engineer Raphael Alkins
“It’s not the gear, it’s the ear.” There is no outboard EQ at all, just dbx 160’s for vocals, bass, lead guitar and piano. Everything else is notched in off the Midas.
A DiGiCo D1 digital console was deployed for monitors, while front of house engineer David W. Hillier manned a DiGiCo SD7 digital console
Although we’ve all been aware of many aspects of these problems for several years now, it’s important to note that this subject is a moving target
The annual WMC, which just completed its 24th year, is regarded as the singular networking event in the dance music industry, attracting professionals from over 70 different countries
The system specified by Forster and SSi comprised four flown main arrays – two inner arrays for the main PA and one array each for both the stage left and right PA
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