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Mix engineer Ken "Pooch" Van Druten is on tour in support of Travis Scott and is employing Waves plugins integrated with his DiGiCo SD12 96 console.

Waves For FOH Engineer Ken “Pooch” Van Druten On Travis Scott’s Circus Maximus Tour

Setup for the tour includes a DiGiCo SD12 96 console with a Waves IO card, a Mac mini running SuperRack SoundGrid, a Waves Pro Show bundle, two Extreme SoundGrid Servers, numerous plugins and more.

Front-of-house engineer Ken “Pooch” Van Druten, known for his work with Iron Maiden, Jay-Z, Justin Bieber, ZZ Top and many other top artists, has chosen to mix the ongoing Travis Scott Circus Maximus stadium tour with Waves plugins via a SuperRack SoundGrid integrated with his DiGiCo SD12 96 console.

Van Druten’s setup for the tour includes the SD12 96 with a Waves IO card, a Mac mini running SuperRack SoundGrid, a Waves Pro Show bundle, two Extreme SoundGrid Servers, a Rupert Neve Designs Master Buss Processor, one Oven from Hendyamps, Logic Pro for recording, Smaart V9 and Dante driver for Clair Cohesion loudspeakers,

“On this tour, my go-to Waves plugins are the C6, F6, API 2500, PSE, CLA76, Scheps Omni Channel 2, CLA Epic, SSL EV2 Channel, Silk Vocal and the Waves X-FDBK,” he says. “The C6 Multiband Compressor and F6 Floating Dynamic EQ are most commonly used on buses and problematic inputs. They are the ‘Swiss Army knives’ of Waves plugins. Both are used as audio ‘correction’ for this gig.

“Chase B, the DJ on this tour, is amazing, but occasionally he sends me certain tracks that have some frequencies that are overemphasized. While this may be tolerable on headphones or nearfields for a few seconds, when we are talking about two hundred and two Clair Global CO-10 Cohesion boxes, which I am using on this gig, I need the C6 to smooth some of these moments out. Additionally, I employ the F6 on the DJ bus, side-chained from Travis’s vocal to slightly dip the DJ bus in the mid-range whenever his vocal is active.

“Additional go-to Waves plugins include the API 2500, which I insert on busses that have transients, like drums and percussion. I use the 2500 on the band bus in my mixes almost exclusively. The Waves PSE (Primary Source Expander) is the front end of every one of my vocal inputs since its initial release in 2016. Most people ignore the internal side chain feature. This is what sets it apart from hardware and other plugin vocal expanders. Don’t ignore it. The internal side chain is the magic! By focusing the threshold on a specific frequency area, you can effectively eliminate all stage noise, surpassing the limitations of other vocal expansion tools. Also, the Scheps Omni Channel 2 is an exceptional channel strip that acts like a Neve, an SSL, an API, a Trident, a (insert favorite channel strip here…). In other words, it is a chameleon that draws from the finest traits of each and delivers amazing flexibility. It just sounds great.

“Waves plugins are pivotal to my workflow. When I need great warmth and depth, Waves plugins provide my ‘secret sauce’ for a successful sound.”

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