Updated! New Videos Join Barry Rudolph’s Top Recording Products At The 2010 Winter NAMM Show

Old Is New Again Hardware!
Pete’s Place and Orphan Audio showed the “resurrected” Electrodyne 501 mic pre-amp and 511 EQ both ready for Series 500 racks.

After about 1975, I would have never expected to ever hear the awesome Electrodyne sound again.

The original consoles were fantastic, short signal path wonders.

It is only because Ken Hirsch’s (Orphan Audio founder and designer) passion for the brand and meticulous dedication to preserving the sonic authenticity of the original products that this stuff is now available.

The Electrodyne 501 is a two-stage, discrete transistor, transformer-coupled preamp with active DI based primarily on the modules found in the classic 1608 console.

It has 68 dB of gain, -20 dB pad, and output level pot.

Electrodyne 501 and 511 (click to enlarge)

The Electrodyne 511 is a classic two-band, discrete transistor, reciprocal, active inductor-based equalizer using late-’60s/early-’70s design technology.

It has ±12 dB of boost and cut and four selectable frequencies per band.

Both the 501 and 511 deliver a maximum output of almost +30 dBm into 600 ohms and they come with ’70s NOS Electrodyne knobs from the original factory. More about the Electrodyne 501 and 511 here.

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Barry Rudolph is a veteran L.A.-based recording engineer as well as a noted writer on recording topics. Be sure to visit his website, and also check out his related articles, “A Wide Variety Of Microphone Techniques For Recording Drums” and Studio Microphone Techniques To Get A Great Electric Guitar Sound.

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More Reviews & Articles By Barry Rudolph On PSW:
Studio Techniques To Get Great Sounding Vocals
Studio Microphone Techniques To Get A Great Electric Guitar Sound
Value, Variety Of Uses For Digital Tuners In The Studio And On Stage
First Look At The New Lexicon Native PCM Reverb Plug-In
A Wide Variety Of Microphone Techniques For Recording Drums
The Tale Of A Project-Saving Monitoring Technique
Test Driving The Focusrite Saffire PRO 40 Firewire Audio/MIDI Interface
Rhythm Section Tracking In The Studio
Does The WAVES Hybrid Line Of Plug-Ins Enhance The Creative Process?
Creative Uses For Loudspeakers To Enhance Your Recordings
The Shure 55 Microphone Has Deep Roots, But How Does It Hold Up Today?
Thumbs Up Or Down For The Marshall MXL V89 Studio Condenser Microphone?
Inside The Peluso P12 Tube Condenser Microphone
Barry’s DAW Toolkit: Review Of The Novation Nocturn With Automap 3 Pro
Barry’s Recording Tips: Figure Of Eight Royer For Electric Guitars
Review Of The X-Tempo Pok DAW Wireless Footswitch Controller
Barry’s Toolkit Of Handy DAW Products
Recording Gear Hits At The 2009 Winter NAMM Show
Working At Recording Success: Taking Elemental Steps Can Make All The Difference
Recording Tip: Successfully Dealing With A Dead Room

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