Black Peaks On The Rise With Sennheiser
Four-piece progressive rock band refines mix of microphones for live shows with e 935 vocal mics and 904 drum mics.
Four-piece progressive rock band refines mix of microphones for live shows with e 935 vocal mics and 904 drum mics.
Veteran front of house engineer Doug Kimball selects d:facto vocal, d:vote instrument and d:dicate 2011 mics for latest tour.
Front of house engineer Robert Scovill selects M80 dynamic microphones for Petty’s vocals on the road, and U47 large diaphragm condenser for recording.
Front of house engineer Sune Snellman Jakobsen specifies d:vote, d:facto and d:dicate microphones for Danish electronic rock act.
FOH engineer Michelle Sabolchick Pettinato deploys ND86 for vocals with more ND-Series microphones covering the drum channels.
Front of house engineer Chris Kaplinski chooses d:facto supercardioid vocal microphone for the band’s current worldwide tour.
Creator of the musical gumbo known as Zydecajun switches to the ND76 cardioid for his vocals with more ND Series covering the band.
The producer/engineer who goes simply by the name Mack, offers his techniques for recording the hits that are part of the fabric of our listening history,
Seven keys to the sometimes daunting task of making those varied voices sound like you want them to sound…
Your tool of choice will likely vary depending on your mixing style, but it’s always good to know there are multiple options at hand.
Excerpted from Make Mine Music, a fantastic book by a true recording legend.
Engineer for Austin’s Nomad Sound and Continental Club selects M80, M82 and M60 mics for Jane’s Addiction and Social Distortion.
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