Church Sound: Methods For Doing System Line Checks
One of those things that most sound people know they should do…
One of those things that most sound people know they should do…
Getting the drum mix isn’t always up to the sound crew; it starts at the source.
Each situation is different and ultimately the sound depends upon the drums, the drummer, the song, the arrangement, and even the other players.
Avoiding the self-imposed limitations inherent in viewing one technique as “right” and all others as “wrong.”
The limits of one’s ears may vary from engineer to engineer, but eventually your ears will begin to lie to you.
Comparing the “Faders at Unity” and “Maximized Preamp Gain” schools of thought, along with a third hybrid approach…
If my team has a success or a failure, it’s on me to own it. All of it. Even the mistakes. Without excuses.
Get it set wrong and no amount of fading, EQ or outboard processing will fix it. Get it right and the rest of your mix will come together much, much easier.
Sound designer Jessica Paz adds a new twist to the old trick of placing a digital keyboard inside a gutted piano shell.
Sessions on Thursday, October 11 at SIR Studios to feature Dave Darlington (Avicii, David Guetta, Sting) and Omatali Beckett (Snoop Dogg, Sean Paul).
Events in Washington, DC and Charlotte, NC to demonstrate best practices on miking drums, vocals, and more with top microphone techniques.
With a strong foundation, you can build almost anything on it that you or your clients can imagine.
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