Tech Tip Of The Day: EQing Stage Monitors
Is there a “right” (or best) way to EQ stage monitors?
Is there a “right” (or best) way to EQ stage monitors?
What can be done about click track bleed in a live situation?
Can a shotgun microphone be used effectively in a sound reinforcement environment?
Does a condenser have a different sonic quality than that of a dynamic microphone?
Why do some microphones require an external power source while others don’t?
Can two very different drums be recorded with one microphone?
Can a home stereo be used as a suitable substitute to studio monitors?
Is cathode stripping a “real” danger to performance, tone, and vacuum tube life?
Why is +4dBu considered to be the professional standard?
Do the holes in my monitor stands affect their performance?
Aren’t sidefills really just mains pointed at the band?
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