Microphones

Supported By

Tech Tip Of The Day: External Microphone Power Supplies

Why do some microphones require an external power source while others don't?

Provided by Sweetwater.

Q: I’ve been shopping around for microphones lately and I’ve been noticing that many require an external power supply.

Why do some microphones have an external power source – are these tube mics only?

A: You’re correct in that it’s often tube microphones which require an external power source, but not always. And, not all tube mics use external power supplies either.

Let’s take a look at why.

The first thing that should probably be made clear is that all condenser microphones require power for two reasons; polarization of the capsule and powering the preamp.

To start, it should really be clarified that we shouldnt confuse what I’ve refered to as the preamp and what is commonly refer to as a mic preamp in a recording studio, which should actually really be called simply a “mic amp”…the preamp in a microphone is what brings the small voltage that comes off of the capsule up to mic level.

Back to the point…

Some microphones use pre-polarized, or electret, capsules and only need power for the preamp circuitry. The reason most tube microphones use external power supplies is that tube preamps generally require a higher voltage than the 48v (or less) that phantom power supplies.

However, there are some tube microphones available which that don’t require an external power supply and are capable of running entirely on phantom power.

There are also some solid-state microphones that require an external power supply. These typically have preamplifiers that run at a higher voltage than phantom power, such as the 130V DPA microphones, which are probably the best-known of this type of microphone.

Increasing the supply voltage allows for a wider dynamic range and an increased SPL handling capability, so these microphones are especially popular for recording material with a wide dynamic range such as classical music.

There are also advantages to not relying on phantom power; as mentioned earlier, not all preamps put out a full 48 volts, and especially on less-expensive mixers there may not be enough “juice” to go around if many preamps are being used at once, especially on high SPL sources.

For more tech tips go to Sweetwater.com

Study Hall Top Stories

Supported By

TELEFUNKEN Elektroakustik’s mission is to design and build iconic microphones and modern professional audio equipment that provides classic sound for recording, broadcast, studio, and stage . Our vision is to be a global leader in emitting good vibes through manufacturing and design, all while capturing the spark of the TELEFUNKEN legacy and transmitting it with uncompromising quality.