Bad Animals Mixes With Mackie
Pacific Northwest audio post production house equips composer/engineer Tom McGurk’s composing room with XR824 control room monitors.
Pacific Northwest audio post production house equips composer/engineer Tom McGurk’s composing room with XR824 control room monitors.
Capital Sound supports 3-day annual festival with MLA and MLA Mini arrays, MLX subwoofers, and LE1500 stage monitors.
Going backstage at the largest traveling music festival in North America, with support from Rat Sound and Audix microphones.
Sound Image provides al-12 line arrays with hs-221 dual 21-inch ACM subwoofers for latest tour of US, Canada, and Mexico.
The Bowery Presents (TBP) launches new 20,000-square-foot space in East Williamsburg, New York with K2 line arrays as well as K1-SB and KS28 subs.
Prep and set-up techniques for surviving the potential problems often associated with festivals and other multi-act events.
New self-powered sound reinforcement models offer 1-inch tweeters and 8-inch woofers, with either wood or anthracite finishes.
Front of house engineer Chris Rabold and monitor engineer Ramon Morales deploy dual SD7 consoles for the 24K Magic World Tour.
Monitor engineer Jason Brandt takes over the position for current tour with S Class S5000 surface and DM64 MixRack.
System includes S5000 surface with DM64 MixRacks and DX32 expander racks, provided by Britannia Row Productions in Europe and Clair Bros in the USA.
Features 24-bit, 192 kHz resolution, XMAX preamps, audiophile-grade digital converters, low-jitter clocking, and MIDI I/O.
Firenze KH7 and KH8 panels with KS8 subwoofers chosen for Hard Rock and Jack Rocks stages at annual event in England.
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