Jazz Drummer Karl Latham Employs Legacy RME Interface On New Project
Fireface UFX has been Latham’s main interface for nearly a decade and played a central role in Pandemic-inspired recording “Together.”
Fireface UFX has been Latham’s main interface for nearly a decade and played a central role in Pandemic-inspired recording “Together.”
Previously limited to a 32-channel count, users of MADIface USB, Digiface Dante and other interfaces can now use the full channel count.
Provides up to 20 recording and 20 playback channels, SteadyClock FS, microphone inputs, built-in parametric EQ, USB direct recording plus stand-alone functionality.
Interfaces compatible with Big Sur 11.0.1 include Babyface Pro as well as several Fireface and MADIface models.
Recently worked with artist Abigail Barlow on select songs utilizing a Fireface UFX+ audio interface.
Host Roy Rotstein is able to fit the Babyface Pro, two mics with stands and his laptop all in one bag, making for a compact, portable audio rig.
Can Kirca and Alexey Zhelezov have created AZS OSC for interfaces to interact with screen readers.
New preview version is completely rewritten from the former DigiCheck software.
Additional staff members will focus on gaining traction in new verticals for RME, Ferrofish, myMix, Appsys and Digigram in North and South America.
ADI-2 two-channel unit provides production company’s lead mixing engineer with added headroom and fidelity.
Some offer CTS credits while others focus on technologies and products from RME, Digigram, MyMix & Ferrofish.
Four audio interfaces are employed across all his projects, including a music rig, recording studio and a gaming studio.
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