Dante Networking At The Heart Of Audio Approach Of Radio Station Group In Portugal
Replacement of traditional approach to a standardized network infrastructure means less cables, more connections, and better insight into what’s on the network.
Replacement of traditional approach to a standardized network infrastructure means less cables, more connections, and better insight into what’s on the network.
Compact version of app-based RSP-1232HL SmartPanel interface for audio, video, data and communications networks designed to allow users to control numerous parameters with a single key.
32-fader mc²56 console at Cornerstone Chapel in Leesburg significantly expands mix functionality and completes transition to IP networking.
Additions to the Axon family of network audio interfaces and Axiom family of analog audio I/O extenders along with a new purpose-built network amplifier.
Veteran professional Mischa Kachkachishvili recording entire season utilizing a remote recording setup built around 32 channels of RMP-D8 Dante-connected mic preamps.
Model 5482 connects up to 64 channels of audio between independent local area networks.
New production studio at Universidad ICESI in Cali created to help students to become proficient at every element of music production incorporates Dante workflows as key to the coursework.
Both offer same feature set as their predecessors but with the addition of level controls for individual input and output channels.
Designed to give manufacturers of professional audio/video equipment a lower-cost path to certifying Milan end devices.
Solaro QR1 DSP and XTouch control system designed to simplify audio distribution and paging over IP at LKS Faculty of Medicine.
To adhere to social distancing requirements, performances are constructed across four separate rooms and performed synchronously with one another using Dante.
Part 4 of our ongoing series focuses on IP addresses, subnet masks, and default gateways – they might look familiar, but they can often be the root of confusion and misunderstanding. Let’s clear it up.
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