Why Do Concerts Sound Bad?
Five reasons why I think concerts don’t sound as good as they could, along with suggestions for improvement.
Five reasons why I think concerts don’t sound as good as they could, along with suggestions for improvement.
It’s so easy to immediately walk into a mix scenario without proper context…
Expanded collection of profiles expanded to include models from AKG, Focusrite, Sennheiser to bring total count to over 200 and growing.
Automatic stem creation solution for producers and DJs separates songs into three parts: vocals, drums and remaining music.
A few tricks and tips for optimizing the mix of live stringed instruments in a concert-level performance.
Knowing not how gates work, not just how to use them, is key in crafting a quality mix.
A great way to achieve clean sounds and cruncher rhythm parts, especially on low-tuned guitar parts.
Problems and solutions in the quest for quality live mixes, including the exact location of the “great mix knob.”
An audio engineer I admire greatly said it best, “Mix like a pro, listen like a fan.” Very true words when evaluating your mixes.
If we don’t understand two primary issues, the only thing that will be consistent about our mixes is that they will be hit or miss on a consistent basis
Not all of the sound? You’re ripping us off! (Another strange but true tale from “back in the day”)
Christmas Special throughout December offers Reference 4 Studio Edition and mic with a lifetime license for True-Fi.
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