Energy & Exposure: Presenting The Audience With The Optimum Balance
Dividing the decisions we make about our mix into two main categories: technical and preferential.
January 14, 2020
Dividing the decisions we make about our mix into two main categories: technical and preferential.
Delving into this sometimes divisive topic, presenting positives for both sides along with a workaround.
Techniques to add another dimension of creativity to mixes as well as to present a wider and deeper spatial soundscape.
“Inspired music and fabulous musicians – that’s the reason I do what I do… and if any of their production managers are
reading, let’s talk!” — Becky Pell
A front of house engineer details his console architecture in terms of busing and processing.
Five problems that the author — a veteran live engineer — has encountered at gigs. as well as some suggestions for how they can be avoided.
While you may be skilled at listening to the audio coming out of the monitors, how good are you at listening to the artist?
Maybe death metal engineers can get away with the constant drone of metallic hash noise, but for everyone else, please continue to read on…
The first and most important thing we can do is step away from the desk and listen with the heart of a fan and the ears of an engineer.
The engineering approach with a seminal fusion group, along with anecdotes and experiences from a unique time…
A couple of “instructive experiences” on knowing what you’re getting into ahead of time…
