DPA Microphones Captures Ambient Sound For Foley Mixer Geordy Sincavage
Owner of Sinc Sound utilizes d:dicate 4006A omnidirectional microphones to capture audio and sound effects for film and television.
Owner of Sinc Sound utilizes d:dicate 4006A omnidirectional microphones to capture audio and sound effects for film and television.
Grammy award-winning recording engineer and producer of Skywalker Sound will present “Paying Attention,’ a retrospective of her successful career.
Audio post-production facility selects 32-fader system for IMAX films, feature films, and special venue projects in the facility’s largest dubbing stage.
Digital Hybrid Wireless equipment selected to support shorts, films and documentaries, including the feature film, ”Jesus,” from Fernando Guzzoni.
d:screet SC4060 miniature microphones chosen for dialogue on Luc Besson’s latest movie.
Digital Hybrid Wireless technology chosen to capture the six-stringed star of film premiered recently at South By Southwest festival in Austin.
AMBEO VR microphone selected for live recording of 17 singers in an acoustically complex space for Tribeca film festival entry.
Scoring mixer utilizes the FORCE four-channel tube preamp and Massive Passive EQ for film projects and work with Hans Zimmer.
Content production microphone models include BP40 large-diaphragm dynamic, AT2020USBi cardioid condenser, System 10 camera-mount wireless and AT8024 stereo/mono camera-mount.
New educational videos on YouTube cover audio acquisition for video production, broadcast and more.
Audio director at Abbey Road Studios utilizes custom mc266 console for 105 musicians and 32-voice choir at Studio 104 in Paris.
Won during Winter NAMM 2016, the new interface is utilized to teach sound for film and video, including ADR, Foley, sound design, and film scoring.
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