Recording The Unique Film Sound Of Les Miserables With DPA
Award-winning Production Sound Mixer Simon Hayes discusses how he used DPA 4071 Lavalier Microphones to capture live audio for this innovative film.
Award-winning Production Sound Mixer Simon Hayes discusses how he used DPA 4071 Lavalier Microphones to capture live audio for this innovative film.
Thanks to some ingenuity from Production Sound Mixer Mark LeBlanc, an Earthworks DP30/C has found its way to the end of a boom pole on a file set.
An iOS App allows an iPad, iPhone and iPod Touch to control a connected 788T.
Engineer Nigel Heath created surround mixes of music by Alex Turner from stereo originals using PentoSurround.
Recordist Adam Mendez praised the low level noise floor and extremely high sensitivity of the microphones for the on location recording.
Holmberg chose to use the 4017 shotgun on a new Susanne Bier movie.
The CS-2 was selected for its ability to target a sound source and achieve clear source recordings in even the noisiest surroundings.
H2-Pro was the ideal solution to capture realistic surround sound.
UNL-8 chosen for its sonic quality and small footprint.
JBL monitors help to grow the business of Sunrise Pictures.
CMC-Digimage opens new facility for four Euphonix System 5 consoles
For the project, Kramer utilized a 5.1 surround system comprised of JBL LSR6300 series studio monitors during his mix sessions
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