Leaving The Comfort Zone: Mixing For Particular Music Styles
It’s not all supposed to sound like 70s rock… Being prepared to suit the style of every artist prior to the gig.
It’s not all supposed to sound like 70s rock… Being prepared to suit the style of every artist prior to the gig.
Dynamics or condensers? Best placement options? To go direct or not? Answers to these questions and more.
For a low-cost unit (even at that time), the DM-17 is well made, designed for live performance vocal applications.
Getting the essentials right before even thinking about the extras…
A look at design trends and developments, scope of applications, and a tour of recent models that deliver larger-format mixing and routing capability, and more.
Like many in-house-branded mics, it was a great option for those looking for a good performing unit at a lower price point.
The latest with large-format digital consoles.
Suggestions for staying in razor-sharp condition so we’re ready when it’s time to go back to work.
The story of a stand-mounted dynamic model that was intended for speech, vocals and instruments, as well as some history of the company behind it.
Details on one of the most iconic microphones of all time.
A look at the AKG D202E cardioid microphone that debuted in the mid-1960s and the author still uses today…
Inside a vintage microphone from the 60s and 70s, endorsed by some big artists of the day…
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