Microfiles: The Primo UD-863, A Distinctive (Looking) Microphone Circa The 1960s
The functionality and aesthetics of a cardioid dynamic design with a non-metallic diaphragm.
The functionality and aesthetics of a cardioid dynamic design with a non-metallic diaphragm.
While there are many basic DI models on the market, there are also several feature-laden versions that do quite a bit more.
The difficulties in determining what’s best for a gig in terms of system size, scale, and complexity…
A collection of tips and tricks picked over the years that can come in handy facing acoustic challenges.
Remember, when it comes to feedback, squeals are bad, but information is good! Getting input on our audio work can help us figure out what’s working as well as what might need improvement.
A dynamic design from a Japan-based manufacturer with switchable impedance via a high/low switch mounted under the head with impedance stated as “Hi-50K Ohms, Lo-600 Ohms.”
There are more factors in play in the process than at first might be readily apparent…
How many freelance stagehands does it take to plug in a cable? It’s not a joke, it’s a serious question.
This mic had all of the features I needed, including high impedance, an on/off switch, built-in stand mount – and a low price!
Selecting the “right” loudspeakers is no simple matter, and there can be more than one “right” answer…
A single-element cardioid dynamic model originating in the mid-1950s that’s the first model to incorporate the company’s patented Variable-D design.
A dive into the latest design trends and developments, scope of applications, and a look at a number of recent digital consoles that deliver larger-format capability.
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