Professional Audio & Production Amidst The War In Ukraine
Part 1 on insights into the day-to-day, night-to-night work of those who form the country’s entertainment industry community and who have found opportunities to serve in their own way.
Part 1 on insights into the day-to-day, night-to-night work of those who form the country’s entertainment industry community and who have found opportunities to serve in their own way.
Workflow strategies for mixing monitors (wedges and in-ear monitors) from front of house, in addition to stage techniques to maximize monitoring success.
Having a step-by-step action plan along the lines of what’s outlined here can help you sort through the stress of the live environment and make things go more easily and smoothly come “crunch time.”
A front of house engineer details his console architecture in terms of busing and processing, regardless of the mixing platform.
Accounting for the increased offset in capsule depth between dynamic and condenser mics and the impact it has on “sensitivity.”
Creating a great electric guitar sound in the mix starts with respecting the tone – it’s here where two common mistakes are made…
How do we, as FOH engineers hired to make the artist sound great, approach advice given from that artist directly?
Experience with gear and software is very important, but one skill that’s sometimes overlooked – yet takes years to master – is the art of listening.
There are four basic (yet key) areas of microphone technology and techniques to consider – let’s call them Pattern, Position, EQ and Processing.
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