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Prism Sound To Highlight Audio Conversion At 2024 NAMM Show

Company’s audio converters and interfaces, including the DREAM ADA-128 modular conversion system, will be on display at booth 16016.
The Prism Sound Dream ADA-128 converter will be on display at the 2024 NAMM Show.

Prism Sound announced that it will be highlighting a host of audio conversion products for music, broadcast, film and live sound applications at the upcoming 2024 NAMM Show beginning January 25 at the Anaheim Convention Center at booth 16016.

On display will be the recently launched Dream ADA-128 modular audio conversion system along with interfaces such as the Titan, Atlas and Lyra. In addition, the company will highlight the recent price reductions across these products.

“These savings are substantial, and we have only been able to make them by looking carefully at our own costs to see where we could streamline our operation and improve efficiency,” says Prism Sound sales director Mark Evans. “What we haven’t done, however, is reduce the quality of our products – Prism Sound audio converters and interfaces are, and always will be, the best money can buy. Quality is our hallmark, and we certainly won’t compromise on that!”

The flagship Dream ADA-128 provides up to 128 channels of 32-bit A/D and D/A conversion in a single 2RU package. Designed as both a conversion system and a networkable audio distribution and processing system, the ADA-128 can be fitted with up to 16 analog and digital IO modules (each of which nominally provides eight input or output ports, or both).

There are also four host cards offering various connection options such as Dante, DigiLink and AES. Users can mix and match these, and route audio between them for flexibility. Because the ADA‑128 houses four internal, independent clocks, these systems can all run at different sample rates at the same time.

At NAMM, Prism Sound will show the system in conjunction with Ginger Audio’s GroundControl Sphere, for which it is now optimised. This professional multichannel audio routing and control room software accepts up to 128 different inputs and outputs from mono to 9.1.6 for surround or immersive audio formats such as Dolby Atmos. It can also be used for loudspeaker tuning and room correction using Sphere’s independent level adjustment and delay line, and due to its compatibility with Avid EUCON, it can be used with any digital audio workstation and AVID control surface.

Prism Sound

NAMM 2024 Top Stories

ProSoundWeb's NAMM 2024 Coverage

Provided By RCF & TT+ Audio

Visit RCF At NAMM!

RCF Show Booth: #18111

RCF Demo Room: #17112

Anaheim Arena: TT+ Demo (Thursday and Friday Only)

Visit RCF At ISE!

RCF Show Booth: #7D700

TT+ Demo Room: HALL 8, A2