PRG has incorporated L-Acoustics L-ISA Immersive Hyperreal Sound Technology into its Los Angeles Virtual Production Studio where it pairs with PRG’s extended reality setup to offer an array of tools for multi-sensory immersive experiences.
“We’re excited to see PRG be early adopters of the L-ISA technology and the L-ISA Studio software suite,” says David Brooks, L-Acoustics Application Manager, Touring Liaison, USA and Canada. “The enhanced streaming capabilities put PRG’s Los Angeles Virtual Production Studio far ahead of other studios in offering the most intuitive tools for immersive live and streaming performances.”
This method for sound mixing expands the possibilities of spatial audio creation with a host of tools for sound creators. Using L-ISA technology, creators can enhance the audio experience by simultaneously streaming binaural, 5.1, and 7.1 listening formats with the push of a button; no additional mixing required.
Pair this sound capability with PRG’s xR stage and the possibilities increase significantly. The xR Stage is a tool where teams can create and deliver content for virtual reality (VR), mixed reality (MR), and cinematic reality (CR). Users can generate new environments by bringing digital objects into the physical world and vice versa.
“Adding L-ISA technology to PRG’s toolbox sets us apart from other production studios, and I’m excited to see and hear the outstanding creative content that will flow from our LA studio,” says Jeroen Hallaert, PRG Vice President, Production Services.
PRG is the first to officially pair these capabilities in a studio setting, but productions are also able to utilize this technology in touring and at venues. On June 10 at Hawthorne Hangar in Los Angeles, PRG and L-Acoustics worked with aerospace company Archer to deploy binaural sound for the company’s reveal of its cutting-edge, all-electric vertical takeoff and landing aircraft, Maker.
“In this deployment, the audience in-person and those at home wearing headphones both experienced live xR and binaural sound in unison, which is a real multi-sensory trip. It gave viewers the same feeling as a theme park ride,” explains Hallaert. “We were able to do that because, beyond the most advanced gear, we also provided technicians that have the expertise in content, lighting, and tech to make these tools work seamlessly together.”
