The “L” Word – Latency & Digital Audio Systems: Opening Pandora’s Box?
An attempt to remove some of the mystery and present a rational look at latency, it’s real effects, and how much can be tolerated by performers and audiences
An attempt to remove some of the mystery and present a rational look at latency, it’s real effects, and how much can be tolerated by performers and audiences
How can a church engineer provide monitoring without substantial financial outlay?
Optimized for use with keyboards, but it has many other uses at gigs as well
Delving further into issues of sonic reality and perception
There are a myriad of myths that permeate our industry, certain tools are for certain applications, “X” is incapable of doing a decent job on a “Y” kind of sound, etc.
There are several issues that you should consider in order to make sure your console helps to maintain the integrity of your system.
An interesting discussion from the RE/P forums.
A discussion that began in the REP Recording Forum here on ProSoundWeb that’s packed with relevant/useful points and references
The DM1600 was developed with ultra-low distortion EQ filters and analogue sounding compressors.
Long recognized as the foremost practitioner of condenser microphone modifications in America (Interview first published on PSW in 2002)
In an era where the “gear” is more computer than console, virtual cables replace their hardware counterparts. Simply put, they connect one program to another.
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