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Lord Huron performing live at Red Rocks with a selection of microphones from DPA.

Lord Huron Takes DPA Microphones From Studio To Stage

Front of house engineer Justin Chechile employs the band’s favored d:facto 4018VL vocal and 2011 twin diaphragm models as well as a DDK4000 drum microphone kit that provides an assortment of options.

American rock band Lord Huron, noted for the viral hit “The Night We Met” as well as the intricate nature of their music, is outfitted with a selection of microphones from DPA that are utilized both in the studio and for live performances to bring added consistency.

Lord Huron’s front of house engineer, Justin Chechile, employs the band’s favored d:facto 4018VL vocal and 2011 twin diaphragm microphones, while for recorded and live applications, the band also utilizes a DDK4000 drum microphone kit comprised of the 2012 cardioid and 4055 kick drum mics along with a stereo pair of the 2015 wide cardioids and three 4099 instrument mics.

“Lord Huron first started using DPA mics for the recording side of things,” Chechile says. “The team loved the mics’ performance in those cases and thought it would be nice to bring them out on tour — and I’m so glad we switched the live setup to DPA.”

Chechile explains that lead singer Ben Schneider frequently moves around stage during shows, which caused a significant high-end bleed from the drum set. “The d:facto was first to come on the live side,” he explains. “We were struggling to find a vocal mic that wasn’t super colored and offered a really flat sound. The d:facto fixed all these issues and provided context and clarity. I could talk about this mic all day. It’s very open sounding and the bleed is so natural. Ben will sometimes sing way off-axis, stepping away from the microphone for effect or to intentionally make himself sound distant. Even when he’s four or five feet away, the d:facto still sounds exactly like him, just further away. It’s a perfect mic.”

Chechile adds that the DDK4000 drum kit is able to foster clean pickup of every part of drummer Mark Barry’s kit. “I was just blown away by the 4055 kick drum mic,” he says. “It has become one of my favorite mics of all time. The 4055 allows the drum to sound exactly like the instrument. As soon as you plug the mic in, it goes to work representing what’s right in front.”

Chechile places the 2021 cardioid on hi-hat, while the stereo pair of 2015 wide cardioids are close miked under the cymbals and the 4099s handles toms. He also employs 2011s for the snare and to pick up the sound of touring guitarist Brandon Walter’s Magnatone amplifier. When not using the 2011 to also mic the bass amp, he utilizes the 4055.

“The number one benefit of DPA mics is the sound, of course,” he states. “The second is how little time it takes to get them into the PA. I don’t have to touch the channels anymore. We go through the lines and there’s no need to EQ or mess with the gain. Ben’s vocals are super consistent and I don’t have to re-EQ for every room we’re in. Even with the 4055 on the bass amp, which you would usually have to low pass, there is no concern. It’s refreshing to hear the bass amp exactly how it’s meant to sound as soon as you add the mic.”

Having been with Lord Huron since 2018, Chechile is consistently looking to upgrade the band’s mic setup. Moving forward, he hopes to incorporate the 4099s onto bongos and the DPA 2028 vocal mic for touring keyboardist/vocalist Misty Boyce. “The gain before feedback with the mic Misty is currently on can be a bit much and I think that the 2028 would be great for that,” he concludes. “It’s easy to get behind DPA mics because they just sound beautiful. I love knowing that I’m able to provide Lord Huron with this quality of tone and sound thanks to DPA.”

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