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Target Center Head of Audio Chris Benson at the venue’s new DiGiCo S31 desk.

DiGiCo S31 The Final Upgrade Piece At Target Center In Minneapolis

New front of house console installed by Windy Shores Sound caps a five-year venue-wide sound reinforcement update project at the 20,500-capacity arena.

Target Center, the 20,500-capacity arena in downtown Minneapolis that’s the home venue of the Timberwolves (NBA) and Lynx (WNBA) franchises in adition to hosting numerous other events, has been equipped with a new DiGiCo S31 console at front of house that was installed by Minnesota-based Windy Shores Sound.

The console’s arrival concludes an extended sound system upgrade that began five years ago with the installation of an L-Acoustics Kara PA system. As is often the case with city-owned facilities, it took some time for other elements of the venue’s audio to catch up.

“They upgraded the PA system but much of the infrastructure around it was left in place,” explains Matt Guzy, vice president of sales & engineering at Windy Shores Sound. “Herbie Woodruff, who was their house technician, crew chief, and sound engineer at the time, had to work with an almost-20-year-old console that, like most of the rest of the infrastructure and cabling, was still analog and increasingly unreliable. At one point, Herbie said, ‘It’s time.’ And it was. We recommended the DiGiCo S31. It has the I/O, the power, and the processing needed for a major venue like Target Center.”

The new 48-channel S31, which offers 31 physical faders and three 10-inch multitouch screens as well as FPGA technology, is fitted with a DMI-DANTE interface card and accompanied by a DiGiCo D-Rack with 32 microphone inputs, eight line outputs, and eight more optional modular outputs that can be selected as either analog or AES. The desk now serves as the hub of the venue’s audio, with Windy Shores Sound extending the small Dante network already in place there to the broadcast dock and the venue’s stage box.

Chris Benson, head of audio for Target Center, says the addition of the S31 has made substantial differences in the venue’s audio workflow. For example, it’s easier to handle the greater number of audio sources, from PA announcements to the arena’s game DJ to video coming from the control room with synced dialog, music, and sound effects.

“Then there’s the halftime entertainment we have at some games, like the hip-hop group that performed during the Timberwolves game last night,” he adds. “There’s a lot more intersection between sports and music these days, and having a console like the S31 greatly helps. One big advantage is having many more inputs, so it can handle in-ear monitors as well as the direct sources. It just makes everything a lot easier.”

It’s also helping Benson experiment with the house sound, enhancing it by taking a feed, over Dante from the radio broadcast of games, of lavalier microphones placed on the hoops, which pick up the impact sound of the basketballs hitting the rims and backboard. “It’s easier to try new things with this console,” he says. “It also helps us make the transitions between events, such as between NBA games and the 2023 Big Ten Women’s Basketball Tournament,” which was hosted by Target Center in early March. “The DiGiCo S31 has finally completed the system upgrade that we started back in 2017 and it’s already made such a huge difference here.”

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Windy Shores Sound

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