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A perspective of the Staring Lake Amphitheatre as well as he audio rack for the new system at that contains an Allen & Heath AHM-32 matrix processor.

Allen & Heath AHM At Heart Of Audio Upgrade At Staring Lake Amphitheatre In Minnesota

Audio Logic Systems utilizes an AHM-32 matrix processor at the heart of a sonic upgrade at the 400-seat outdoor performance space in Eden Prairie.

A recent sound system upgrade at Staring Lake Amphiteatre, a 400-seat outdoor performance space in Eden Prairie, MN that hosts theatrical productions, concerts, weddings, and special events, employs the Allen & Heath AHM matrix processing platform as the central component in the new design.

“They [venue management] were looking for a more modern system that would give them higher end features,” notes Nic Hentges of integrator Audio Logic Systems, which earned the bid for the project. “It had to be flexible and powerful enough to handle theatrical performances, while being easy to control during small events.”

The team at Audio Logic Systems explored multiple product lines before deciding on an AHM-32. Hentges: “We felt like the cost and feature set made for an incredible fit.”

For simpler events like Yoga classes and weddings, an AHM-32 provides system processing and control over a small number of microphones and playback sources via an IP-6 rotary controller with LCD displays as well as a custom application the installers designed using Allen & Heath’s Custom Control editor. “If it’s a yoga instructor or city employee with limited audio experience, they can just grab an iPad and have control of the mics and playback while moving around in the audience area,” explained Hentges.

The custom tailored app can run on any iOS, Android, Windows, or Mac device on the AHM’s network. “Our lead engineer found the AHM platform very easy to work with,” he says. “He’s excited about putting it on other projects.”

An Allen & Heath SQ-6 compact digital console was also included to allow for more hands-on mixing during larger events with a dedicated audio engineer. A DX-HUB and DX168 stageboxes were added to the system to provide distributed I/O around the stage as needed. “The clients had been avoiding digital consoles for many years,” Hentges concludes. “They were really pleased once they started working with the SQ. All-in-all, I believe this system to be a great fit.”

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