Alicia Keys Sets The World On Fire With DiGiCo & Clair Global

“The band doesn’t ask me for anything during the show, so I can concentrate 100 percent on the artist,” adds Luna. “I would assume there are other engineers out there using Aviom, although I just don’t know anyone off-hand who’s doing it.

“It’s definitely made my job easier and I’m still able to deliver quality mixes to the band via that source. The band seems really happy with it, and if they’re happy I’m happy.”

Concentrating on Keys, Luna keeps the effects to a minimum, relying mostly on the internal effects, with the exception of a TC Electronics M4000 plug-in via AES at 96 kHz.

“That reverb sounds really good on her vocal and we really like it. But everything else I’m using with her is internal,” he says. “I find I use a lot of compression on her vocals. She has a lot of dynamic range, so I need to take that down a little bit to make it fit when she’s singing loud or soft. Because she’s primarily a piano player, the mix is very important.

“The piano can easily get lost or washed out if you have too much vocal or too much ambient sound. So the vocal and piano are the important parts of the mix, and the rest follows those two key elements. I make sure I can always hear the vocal and the piano, and if I can always hear the vocal and the piano, with the band fitting in nicely underneath, we’re going to have a great day.”

They’re also tracking 80 inputs on Nuendo at monitor world and FOH and 80 channels of Pro Tools to split off the stage racks.

Another technological advance on the tour is the use of a Signal Hound RF Spectrum Analyzer. “When we were deciding the gear spec, Scott Evans introduced me to the product and we decided to get one for the tour,” says Luna. “We’re getting really good results and the manufacturer has been fantastic. They’re excited for the feedback because apparently no one in our industry is using it, so it’s kinda cool to be breaking new ground like that.”

Both the artist and management have been happy with the production, both onstage and off…. And are verbal about it. “We’re getting a lot of compliments,” Luna offers, “and a couple of shows ago Alicia said it sounded wonderful at soundcheck… I’m not used to getting that kind of positive feedback from artists, so it’s refreshing, especially coming from Alicia, because she’s such an awesome talent.

“Other than that I’m really grateful that I’ve got a good relationship with the vendors, not just with sound company, Clair Global, but with DiGiCo as well,” continues Luna. “It’s a killer combination for service. I feel confident that no matter where I am in the world, if I need something, it’s going to happen. Thanks to both Clair and DiGiCo for helping me out on this tour… it’s very been appreciated.”

DiGiCo
Group One Ltd.

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