Ashly Audio KLR Amplifiers Drive New Sound For Pete Maravish Center At LSU
First application of the company’s new KLR-5000 power amplifiers
First application of the company’s new KLR-5000 power amplifiers
Offers an anti-twist solid pin with a hard gold-plated contact tip
Working with DPA 4060, 4061 and 4062 miniature omni mics and 4088 cardioid and 4066 omni headset mics, sound engineer Matt Saunders applied some ingenious solutions to the creative performances
Existing plug-in owners can download new software installers free of charge
There’s more to think about to get a good result than you might anticipate…
Four JBL MRX512M loudspeakers were also added for stage monitors, driven by Crown Audio XTi 1000 amplifiers
“During almost four months of tracking, there were a lot of Shure microphones that never moved from their spots.” – Jack Douglas
Includes a 20 dB pad for extra hot input signals, a merge switch to interface with mono sound systems, and a ground lift switch
“They were looking for an upgrade to mix the ambient sounds and commentaries within the amphitheatre, both for live playback and broadcast purposes.” – Jean-Philippe Blanchard, Audiopole
“I have used it now for five years and it never fails to impress me.” – Dave Compton, system tech
“The trick was to zone out the receive antennas so that we had consistent coverage around the plaza without allowing the antennas to interfere with each other.” – Josh Flower, Wireless First
This is something your musicians will really appreciate
Acoustics
Amplification
Audio Networking/IT
Business
Cabling & Interconnect
Church Sound
Dynamic Processing
Electrical Power
Equalization
History & Heritage
Key Audio Principles
Live Recording
Loudspeakers
Microphones
Mixing Consoles
Popular Authors
Production
Profiles
Software Tools & Apps
Sound System Design
Stage Monitoring
Stagecraft & Best Practices
Studio Recording
Subwoofers
System Test & Measurement
Wireless/RF
Copyright 2024 ProSoundWeb · EH Media LLC. All rights reserved.