DPA Microphones Chosen For Clean Bandit On Tour
Monitor engineer Paul Hatt introduces the band to d:facto vocal, d:dictate 2011C twin cardiod and d:vote 4099 instrument microphones.
Monitor engineer Paul Hatt introduces the band to d:facto vocal, d:dictate 2011C twin cardiod and d:vote 4099 instrument microphones.
Four sizes designed for maximum space efficiency and to withstand the rigors typically associated with professional touring.
Engineer Jon Lewis selects dLive S3000 console with an A&H DM64 MixRack for front of house, with GLD Chrome on monitors.
Front of house engineer Andy Meyer and monitor engineers Matt Napier and Sean Spuehler select SD7 consoles for complex production.
Veteran engineer chooses digital console and Pro Tools to support recent “Paper Gods” tour of the UK.
Parashoot completes second tour with Norwegian singer songwriter, choosing the S7000 Control Surface and DM64 MixRack for front of house and monitors.
North American tour features electronic music, diverse venues and and Trinity’s 3D adjustable sound to manage it all.
Front of house engineer Dave Roden upgrades band rig to MLA arrays and MLX subs for London’s O2 Arena.
Eighth Day Sound provides UV-1G wireless intercom base station and 12 RAD packs for tour.
Following 2014 tour supporting UK metalcore band, Bring Me the Horizon, the band purchases an iDR-32 MixRack for in-ear monitors.
A look at the concert touring technology and techniques of a major world tour, from 1985…
A Team Plus selects dLive S5000 Control Surface with DM64 MixRack, and ME monitor system cantopop singer and songwriter.
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